Pictures And Visuality In Early Modern China (Picturing History)
Pictures and Visuality in Early Modern China (Picturing History)
Clunas's theory of visuality incorporates not only the image and the object upon which it is placed but also the culture which produced and purchased it. Economic changes in sixteenth-century China—the rapid expansion of trade routes and a growing class of consumers—are thus intricately bound up with the evolution of the image itself. Pictures and Visuality in Early Modern China will be a touchstone for students of Chinese history, art, and culture.
'He argues his interpretations of Chinese art with a great sense of adventure, and it reads tremendously well. Clunas is a master of argument. He presents his texts around carefully considered selections of material culture, which are not simply mustered to illustrate one art-historical point after another, but skilfully used for their value in making several claims throughout a larger discourse.'...